Ceilings dotted with halogen lights might have illuminated rooms within the 1980s, but today’s focus is on Lindsey Adelman, whether it’s feature lights inside a restaurant or table or standard lamps in homes. And as an alternative to blind recipients, light creates intriguing shadows on walls and ceilings.
“Lighting has become more focused entirely on achieving certain tasks, whether it’s to create cooking easier, or perhaps to produce the right ambience,” says architect Jon Mikulic, director of Newline Design whose design skills include creating lights.
To the Dutchess restaurant, a fine-dining venue in Melbourne, Mikulic created a striking light like a centrepiece. Set against a black-painted ceiling, the Coil Light is made of copper water pipes and powder-coated white. “There’s approximately 60 metres of piping in this particular design,” says Mikulic, who saw the free-form cloud-like light like a contrast up to the more formal lines in the seating. As soon as the brief requires, lights come into play, including cathedral-style glass lights for any nightclub that evoke stalactites seen in a cave.
One lighting design that often finds its way into Newline’s bespoke homes is definitely the extruded fluorescent tubes that cantilever above island benches in kitchens. Wrapped in black steel, the 3.5-metre-long lighting is pierced at various points to accentuate different qualities of light. And also fluorescent tubes, there’s also more incandescent lighting within this fixture.
“The brighter part of this light is focused on food preparation, while in another part it’s about making a slightly softer light,” says Mikulic, who sees a move towards using technology to generate a more tactile response whether it’s positioned in a domestic or commercial setting. “Lighting designers may also be beginning to explore the use of a greater assortment of materials, whether it’s ceramic, steel and even concrete,” he adds.
Lighting designer Suzie Stanford first arrived at prominence together distinctive teacup lights. Created from “up-cycled” fine bone china, these whimsical creations was a feature within both residential and commercial settings. Stanford’s latest collection of lights, made from found brass and by means of animals, fish and magnolias, enliven living and dining rooms along with adding light to bedside tables. “It’s about obtaining the right form in each design, whether it’s a pheasant, a swan or an eagle,” says Stanford, having designed several floor lamps and bedside tables with this collection.
And also developing a conversation piece for any room, Stanford’s lights provide intriguing silhouettes of creatures against walls and ceilings. ‘”I direct the light source upwards to create more subtle shadows,” says Stanford, who sees lindsey adelman bubble as a kind of theatre and as a way of engaging people, be they relaxing in a armchair or gathered around a dining table. And taking advantage of found, as an alternative to bought, materials adds history to every single design. “I like the thought of reinterpreting a physical object. Before it could have been a copper bird getting dusty on someone’s shelf. Now it’s a centrepiece in someone’s home,” says Stanford, who sources her materials from around the world..
Lighting designer Christopher Boots has established a reputation both in Australia and abroad for his bespoke lighting. His Prometheus light, a striking solid brass ring embedded 10dexmpky removable crystals, has changed into a feature in both retail and domestic environments. Available in a variety of sizes and every one created to order, the Prometheus lighting is now supplied to the usa, Britain and Asia.”As being a child, I always had a fascination for crystals,” says Boots.
Also in Bocci Pendant is definitely the Diamond Ring light, a considerably larger version of any engagement ring. Created from solid quartz, these lights vary in proportion from 450 millimetres to 2.1 metres in diameter.
For Boots, the division between work and pleasure doesn’t exist. His adoration for lighting extends 24/7, with constant exploration to generate lights that make people feel secure and comfy, whether placed in their properties or dining inside a restaurant. “A residence must be a place for dreaming,” says Boots, who couldn’t possibly have dreamt of seeing his lights appear in the Hermes shop windows, first in The Big Apple in 2014, a year later in Vancouver.